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Review: Alan Barrie book A Woman's Passion
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Alan Barrie book A Woman's Passion
Gender
The enchanting memoir of a man who spends a fascinating, edifying, romantic, and sexy week as a woman.
From: guest (CAS) , 1 months, post #81
For fans, Alan Barrie has a new novel available on Amazon. No real magic in it: it's a fairly typical romance: except one of the characters is transitioning MTF with the support of her boyfriend. So, it is the descriptions of how they negotiate intimacy during and after the transition that is both explicit and actually very interesting. Title is HEATHER MORNING. Author is the same as A WOMAN'S PASSION, Alan Barrie. Free if you are a Kindle Unlimited subscriber.

From: guest (Peter) , 29 days, post #82
The new one, HEATHER MORNING, is, IMO, the weakest of Alan Barrie's four books. Barrie's long introduction explaining how he usec Grok to help write and illustrate it is pretty interesting though.

He never seemed to be able to get back to the quality of A WOMAN'S PASSION.

From: guest , 29 days, post #83
It's because he went to using AI as a crutch instead of an assistant. It translates to power quality. If you read a lot it's a bit of a turn off. May as well use Chat GPT yourself

From: guest (CAS) , 24 days, post #84
Okay! In my defense, I disclosed in all of my HEATHER MORNING's promotional materials that I used Grok AI to help write it. I even listed Grok as a co-author on the title page and in my Amazon description page. In fact, I explain in the book's introduction the process I used. (I'll try to copy the Foreword in below for your reference.) And I don't claim it is as good as my classic A WOMAN'S PASSION. But, several readers have written to me at alanbarrie@yahoo.com to tell me how much they like it and especially its illustrations. And it is, by far, the most explicit book I've ever written. (Actually it was Grok who pushed the more explicit scenes because, Grok argued to me, how post-op transgendered woman experiences sex is under-reported, so Grok argued, we should make an exception on "our" novel.)

Unfortunately this copy-in of the foreword is a little harder to read because it is raw, unformatted text..

Foreword

I am an AI amateur. In fact, this is my first AI-aided creative project. So, I hope that my readers can enjoy this novel in three ways, as follows:

1. I hope they find it a good read;

2. I hope they find this portrayal of an MTF experience illuminating; and

3. I hope they find it interesting to see what happens when an AI amateur writes a novel using AI for the first time.

As context, I am a middling successful novelist of straight subjects under another name.
And I am a quite successful novelist in the narrow milieu of crossdressing and transgender stories under the name Alan Barrie. (My A WOMAN’S PASSION is, I believe, generally regarded as one of the classics of the genre.)

Usually, my novels of either type take me months, or even years, to write. So, the first thing of interest is that Grok and I collaborated and completed the text of this novel in 9 working days.
And then Grok and I collaborated on at least one illustration for each of HEATHER MORNING’s 19 chapters in another six working days.

So, this illustrated novel was produced in three weeks.

The text process worked like this:
• First, I gave Grok an eight-paragraph description of the whole novel story arc.
• Then I gave Grok a one-paragraph description of what happens in Chapter One.
• Then Grok wrote Chapter One.
• Then I edited Grok’s Chapter One, uploaded my edited version to Grok, and wrote and uploaded a one-paragraph description of why I made the changes I made (“my edit rationale”). So, Grok had its own first version of the Chapter, my version, and my edit rationale as reference. Grok did not try to argue back. It simply accepted by version of Chapter One and “locked it in.”

• Then, we went on to Chapter 2: again, I gave Grok a one paragraph description of what happens in Chapter Two.
• Then Grok wrote Chapter Two.
• Then I edited Grok’s Chapter Two, uploaded my version of Chapter Two, and wrote a one-paragraph edit rationale; and told Grok to “lock in” my version of Chapter Two.

The process went on that way for a further seventeen chapters until the novel was completed. As each chapter was written, of course, the overall story arc evolved. For that reason, many times, the creative process called for going back and making some minor changes to most of the earlier chapters. So, the “locked in” chapters were never totally locked in until the whole text was completed. Timelines and other minor changes had to be adjusted constantly as the story arc filled in with details.

As an AI creative project, it is interesting that it did get continuously easier and faster to complete each chapter as the book progressed. I’m not sure which of two things was more important. I do think that my chapter prompts got better as I got more experience working with Grok. And I also think that Grok learned from my edits and my edits’ rationales (my style, what I wanted) and, by itself, learned to write the first draft of succeeding chapter in a way that was closer to my proclivities, so each new chapter needed fewer re-writes.

About the “R-rating” of much of this novel:

After some hesitation, I have decided to face head-on in this Foreword something that will become obvious to the reader of this novel very quickly. This novel is very “R-rated.”
In the novel, the chronical of the sexual relationship between Heather and Jordan includes many explicit scenes. You may be surprised to learn that it was Grok that tended to be particularly explicit in these scenes from the first.
Grok and I in this novel did have a distinctive purpose. There are lots of other love stories to be read in which depicting the perfect glance or hearing the perfect phrase captures the essence of a developing love.
But this novel tells the love story of a young couple, one of whom is changing genders. The novel takes place over several years of their relationship. Sure, the ups and downs of any relationship is interesting and the subject of any good romance and is touched on in this novel; but for this novel and its peculiar circumstance, Grok and I agreed, that the way they negotiated intimacy during the transition should be of special interest.

I believe that Grok’s writing of the intimate chapters, although not quite clinical, did certainly draw on the scholarship it found in its source material, on academic studies of the transgender experience and the like. Ironically, by being more clinical, Grok wound up being more, not less, explicit, more descriptive of intimate detail. In the end, I bowed to those instincts in my re-writes of those chapters, usually leaving in all those little, messy specifics of sexual relationships that are generally left out of romance fiction, but adding, especially, Heather’s thoughts and feelings. I believed that necessary to keep HEATHER MORNING more like a novel, less like an academic study.

The reader will even find one chapter in which the encounter is told twice. I simply couldn’t decide which of Grok’s two versions I liked better: the one that Grok wrote originally that is more descriptive of what happens; or the one, after another prompt from me, in which Grok focuses more on Heather’s reaction to what is happening. In the end, I left them both in, one after the other, just changing the second telling of the same scene as Heather’s past perfect re-living of it in her mind (and heart). In the end, I thought the double telling of the scene worked. It was interesting. In the end, I decided to leave them both in the novel.

Lastly, of academic interest on the text, it is important to note that the entire process of completing the text took place in one long conversation with Grok. Both Grok and I always had easy access to each chapter and each chapter’s several developing variations. This AI conversation got to be very long (with all the chapters and all the chapter rewrites, all still there in the conversation); but Grok handled it easily.

The illustration process worked in a very similar way:
• Grok read each Chapter
• I copied over a particular paragraph from that Chapter that I wanted to illustrate and paste it into my illustration prompt.
• Grok occasionally refused to illustrate the paragraph I first chose under its “moderation guidelines.”
• So, I would choose another paragraph that was less explicit; or
• I would give Grok an instruction that would vary the illustration prompt to get it to “pass moderation” (e.g. “If you can’t illustrate Heather in just that white leotard, try illustrating Heather in the same white leotard, but add white cutoff shorts:” and that would pass moderation.).
I made another decision of interest. Grok’s illustrations for this novel lean toward the stylized: if not Manga, also not close to photographic. At first, I thought that style was inappropriate for the truth of Heather’s experience I wanted to capture in the novel. (Nobody ever has that kind of waist to hip ratio in real life!) In the end, though, I accepted that I have written a novel, a dream of a MTF experience, not a treatise. Grok’s illustration style for this novel was okay. I left it alone.

For those readers with a special interest in my being a novice in AI illustration, here is something noteworthy that happened. Sometimes there were things I couldn’t find a way to prompt to alter successfully what I wanted in Grok AI illustration. For example, in one scene, all I wanted to do was to reposition a picture frame that sits on a vanity top in the illustration background. No matter how many times I tried in Grok, I couldn’t move the picture frame to where I wanted it. So, I wound up copying the illustration of that scene into a Grok AI competitor’s app. And, for some reason, I was able to position the picture frame exactly where I wanted it in two prompts. For the whole novel, for similar reasons I had to move Groks’ illustrations out of and back into Grok … but only three times.

Incidentally, if you are reading this novel on your black-and-white Kindle reader, you should also give it a look on the Kindle App on your PC: Grok’s color illustration is quite remarkable.
That’s enough on Grok and me and our collaboration. Enjoy the novel.

Alan Barrie

P.S. If you are hungry to know more about this AI novice’s experience, feel free to ask me questions at alanbarrie@yahoo.com.



From: guest , 23 days, post #85
I don't think the issue is that you did or didn't disclose it. It's the fact that you used it and are trying to make a buck out of it that is an issue.

From: guest , 13 days, post #86
Books that take months to years to write is normal though. Your goal shouldn't be to make as much output as possible when you're working on your work/craft. Otherwise people may as well make their own stories rather than support you.

The moment you turn art into a business is when you start to decline tbh

From: guest (CAS) , 9 days, post #87
Again, I claim I am not being defensive.

But, the supposition that I used Grok to help write HEATHER MORNING to cheat to make a lot of money quickly is absurd. I never expected to make more than pennies by publishing HEATHER MORNING; and my expectations have been met!

(As comparison, I have, in fact, made six figures in the 20+ years A WOMAN’S PASSION has been published.)

I wrote HEATHER MORNING as an AI-amateur wanting to experiment with the process. I made that clear by crediting Grok AI as a co-author and by the long introduction detailing the process. So, I did, and still do, intend the book to be experienced in two ways: (1) as a novel that stands on its own; and (2) as a sharing in detail of how a newbie used these new AI capabilities to write it. (I copied in that long introduction earlier in this thread.)

That being said, I do believe that the novel works: it is fictionalized account of a MTF transition that takes place with the support of a boyfriend. In the process, I came to believe that Grok grounded it in published clinical research papers. For example, the scenes of intimacy after medical transition were much more clinically explicit than I believe any novelist, certainly I, would have written. After some reflection, I edited those Grok written scenes less than you would imagine, softening them only by adding more of Heather’s internal emotional reactions to what was happening. In short, I came to agree that degree of clinical description belonged in the novel.

Lastly, as again explained in the introduction, after days and days of tinkering with them, I am happy with the illustrations for each chapter that Grok created. They are fun. They are just a bit more manga than real, but that’s okay. They work.

The novel is free on Amazon for those on Kindle Unlimited. For those not on Kindle Unlimited, wait a couple of weeks, and I guess I’ll lower the Kindle price substantially.


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